Tue 29 Aug 2006
I enjoy a good book. I enjoy a good book before drifting off to sleep at night or when I’m eating my lunch or when I just need a break from the endless task that is trying to make something of myself. And since this period of my life is lacking structure, one might say, I decided I might as well make the most of it by reading something great.
I remember the summer I read War and Peace and I remember when I read Anna Karenina and how much I loved the Portrait of the Artist as a Young Man. How well I remember reading The Nicomachean Ethics my freshman year of college and being astounded by Aristotle’s sense of lasting practical wisdom. Moderation, moderation.
I remember these great works because they were, you know, great. Both in reputation and in content. So recently I decided to try and pick up something modern, instead, and started in on David Foster Wallace’s Infinite Jest.
I want to love it. I want to get it, I swear, I do. But all I think when I read this highly-regarded novel is, Jesus, what an asshole. In fact, just the above linked desciption of the book gives me a headache. What was Wallace out to accomplish, really, besides giving people a headache? Fame? I guess so. Money? Probably.
But what I actually think he was after, was having stuff like this follow in the wake of his great American novel, a.k.a. his stream-of-conciousness, pain-inducing, very famous headache book. Which is really just a showcase of his vocabulary. Come on! A study guide!? You know he loves that.
Before you go questioning my opinion, which you certainly have the right to do, please remember that I was an English major, and whether or not I should like this novel isn’t the point, but instead that I think I have the credentials to criticize, at least, and what is even more the point is that, to be honest, I don’t want to read it anymore. I don’t want to look at it.
To protect my pride I probably will finish Infinite Jest someday, because I started it and I hate not finishing books I’ve started (except for One Hundred Years of Solitude, which, I swear to you, I’ve tried to get through, well, one hundred times. I don’t know what it is. Maybe it is just a really boring piece of crap, but I’ve heard otherwise - from the critics and all). But in the meantime I’d like to try my hand at something else. Something meaningful and important. Maybe philosophy or a memoir or a novel that will teach me history while telling a great story. Maybe Proust or Faulkner or Kant.
Suggestions? I’m excited to get started.
August 29th, 2006 at 6:03 pm
These are just off the top of my head trying to fit your criteria…
Sandberg’s Lincoln — all the volumes
In Cold Blood
Catcher in the Rye
(ok, those last two are copouts that you’ve probably read)
Great Issues in American History Vol. I-II
All Politics is Local
Ball Four
Almost any history of America written before 1903.
I’ve got like 5,000 books, so I could go on.
But I’ll leave you with one more underappreicated book after you leave college: The Norton Reader (almost any one, about almost anything). They are super cheap and a quick read for short spurts.
e
August 30th, 2006 at 8:49 am
I once read the first chapter of the first Harry Potter book three times, never being able to get past it until the third time. Don’t give up.
Also, that’s the copy of Infinite Jest that I got for Christmas a few years ago - I haven’t touched it yet, but I like arrogant writing better than you do I think (ie. Heartbreaking Work of Staggering Genius).
Finally, let’s cash in on some of those Barnes and Noble gift cards we got for our wedding and get some new books.
August 30th, 2006 at 12:35 pm
Infinite Jest sucks.
I tried reading it like 5 times in High School on the recommendation of my very literary friend Jesse Hilson.
I still have it, it still sucks.
August 30th, 2006 at 1:27 pm
DFW, like a lot of folks, fails where other, better writers tried. John Barth (who is one of those other, better writers) uses the phrase “Fire and Algebra” to describe the two elements all good fiction needs. It needs Fire, the rich love of language and life that barrels headforth with ideas and experimentation. And, it neds Algebra, that careful, nuanced, informed plotting of action and character. That is, the novelist should both tell a good fucking story and be full of life and experimentation. Have one foot in Hemingway, one in Derrida. Barth kind of almost achieves it, but even he fails. All those guys and their ilk failed where Joyce, Nabakov, Calvino, Borges and, yes, Garcia Marquez suceeded. E.P. Jones and Ana Castillo, too, are nicely experimental but tell a good, gripping narrative.
August 30th, 2006 at 5:59 pm
To clarify, I should say I love Marquez, just not One Hundred Years of Solitude…I don’t know what it is. But it’s real.
August 31st, 2006 at 9:57 am
I don’t have much to contribute here, so I’ll just say that sometimes after I scratch the insides of my ear, I then smell my finger…and it doesn’t smell very good.
September 5th, 2006 at 2:19 pm
OK. Yes, continue with One Hundred Years, once you get into it I’m sure you will be glad you didn’t give up on it. I love Garcia Marquez and really enjoyed this book (although it’s currently taking me a long time–because I keep putting it down and reading other books–to get through The General In His Labyrinth so I guess I can’t fault you). Also, I just finished reading “Special Topics in Calamity Physics” and have the same complaint about it as your Infinite Jest issues: the author practically shoved the titles of other books, both classic and obscure, down my throat to the point that I just felt like she was being pompous. I get it, you’ve read a lot, you’re smart, get on with the f*in story already!! And finally, before that book I read The Amazing Adventures of Kavalier and Clay which was fantastic. It may not fit your criteria of philosophy or be up there with Falkner, but it certainly had some historical elements surrounding a great story so if you haven’t read that I would def suggest it.
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